祝孩子们天天健康快乐!

 找回密码
 注册

搜索
热搜: 儿童 教育 英语
查看: 2924|回复: 3
打印 上一主题 下一主题

[舞蹈] New York City Ballet

[复制链接]
跳转到指定楼层
1#
发表于 2007-1-14 09:32:32 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
Brief History
Lincoln Kirstein and George Balanchine Photograph © Tanaquil LeClercq

New York City Ballet was the idea of Lincoln Kirstein. He envisioned an American ballet where young native dancers could be trained and schooled under the guidance of the world's greatest ballet masters to perform a new, modern repertory, rather than relying on touring groups of imported artists performing for American audiences.
The Start
When he met George Balanchine in London in 1933, Kirstein knew he had found the right person for his dream. Balanchine's training lay in the tradition of the great Russian ballet; he entered the Imperial School of Ballet in St. Petersburg at age 10 and graduated at 17. Also a student at the Petrograd Conservatory of Music during this time, he studied piano and composition. With his schooling behind him and only 20 years old, Balanchine left the newly-created Soviet Union for the West. Shortly thereafter, Sergei Diaghilev invited the young choreographer to join his Monte Carlo-based Ballets Russes. The year was 1924. In 1933, Balanchine accepted Kirstein's invitation to come to America to start the school which was to serve as the incubator of their American ballet.
The Struggle
The intervening years, however, were not without incident and frustrations. The School's first performance was postponed due to rain, and the initial tour of the newly-formed American Ballet met an untimely end with the simultaneous collapse of both its manager and exchequer. A three-year period at the Metropolitan Opera as its official ballet company ended in disagreements. Several ballet companies were created and dissolved. Efforts ceased temporarily during World War II – Kirstein served in the Army while Balanchine went to the Ballet Russe de Monte Carlo as choreographer. During this period, only the existence of the School gave any indication that Kirstein's American ballet dream was still alive. It was the unflagging devotion of these two men in the face of apparently overwhelming odds that was finally able to draw New York City Ballet out of the fire.
A Dream Realized
Following the war, Kirstein and Balanchine formed Ballet Society and presented their new company at New York's City Center for Music and Drama. Morton Baum, then chairman of City Center's Finance Committee, was impressed by the quality of what he had seen at one of the performances and approached Kirstein with the suggestion that he transform the ensemble into a New York City Ballet. Kirstein, with his dream in sight, made Baum a promise – that in return for his faith, he would give New York City the finest ballet company in America within three years.
Success
And, as they say, the rest is history. In 1948, Balanchine invited the 30-year-old Jerome Robbins to join the nascent company as Assistant Artistic Director. After performing at the City Center for Music and Drama, the Company now performs for 23 weeks of the year in the magnificent $30 million, Philip Johnson-designed New York State Theater, built by the City and State of New York. New York City Ballet opened the theater on April 24, 1964, and has since been its resident ballet company. The Saratoga Performing Arts Center has been New York City Ballet's permanent annual summer home since 1966.
Among more than two score international engagements, the New York City Ballet has made numerous appearances in the capitals of Europe. The Company has also appeared in Australia, Brazil, Japan, Sicily, South Korea and Taiwan and has made three historic trips to Russia as well as visits to many of the major cities of the United States and Canada.

Today
Currently, the Company has approximately 90 dancers, making it the largest dance organization in America. It has an active repertory of over 150 works, principally choreographed by Balanchine, Robbins and Peter Martins. The School of American Ballet, the official school of New York City Ballet, is thriving in its spacious home in The Samuel B. & David Rose Building at Lincoln Center with an enrollment of over 350 aspiring dancers from nearly every state in the nation and around the world. Following Balanchine's death in 1983, Robbins and Martins shared the title of Ballet Master in Chief overseeing the smooth running of the New York City Ballet. Since 1990, Martins has had sole responsibility for the Company's operations. In 2001 Christopher Wheeldon was named Resident Choreographer of New York City Ballet. He is the first person to hold this title.

George Balanchine and Lincoln Kirstein shaped the history of 20th -century dance. Under the direction of Peter Martins, New York City Ballet remains dedicated to the preservation of Balanchine's ideals.








Stravinsky and Balanchine: An Eternal Partnership

Agon



Monumentum pro Gesualdo



Movements for Piano and Orchestra



Duo Concertant


Symphony in Three Movements


The Sleeping Beauty
      
回复

使用道具 举报

2#
 楼主| 发表于 2007-1-14 09:41:25 | 只看该作者



































[ 本帖最后由 dawnch 于 2007-1-14 10:00 编辑 ]
回复 支持 反对

使用道具 举报

3#
 楼主| 发表于 2007-1-14 09:57:59 | 只看该作者
Tschaikovsky Piano Concerto No. 2
Monumentum pro Gesualdo

In Memory of...

Mozartiana

Tarantella

Vienna Waltzes

Episodes

Dybbuk

Stars and Stripes

Serenade

Intermezzo No. 1

Klavier

Circus Polka

Raymonda Variations

Walpurgisnacht Ballet

Russian Seasons

Antique Epigraphs

Jeu de Cartes

回复 支持 反对

使用道具 举报

4#
发表于 2007-3-25 15:49:14 | 只看该作者
表演的很精彩。IT‘S VERY NICE
回复 支持 反对

使用道具 举报

您需要登录后才可以回帖 登录 | 注册

本版积分规则

864|

小黑屋|手机版|新儿教资料网-祝孩子们天天健康快乐! ( 闽ICP备19010693号-1|广告自助中心  

闽公网安备 35052502000123号

GMT+8, 2025-7-11 17:21 , Processed in 0.101570 second(s), 27 queries , Redis On.

Powered by etjy.com! X3.2

© 2001-2013 Comsenz Inc.

快速回复 返回顶部 返回列表